All the Rest Have 31
by in CodeSOD on 2024-10-31Horror movies, as of late, have gone to great lengths to solve the key obstacle to horror movies- cell phones. When we live in a world where help is a phone call away, it's hard to imagine the characters not doing that. So screenwriters put them in situations where this is impossible: in Midsommar they isolate them in rural Sweden, in Get Out calling the police is only going to put our protagonist in more danger. But what's possibly more common is making the film a period piece- like the X/Pearl/Maxxxine trilogy, Late Night with the Devil, or Netflix's continuing series of R.L. Stine adaptations.
I bring this up, because today's horror starts in 1993. A Norwegian software company launched its software product to mild acclaim. Like every company, it had its ups and downs, its successes and missteps. On the surface, it was a decent enough place to work.